It is with much happiness that I can finally present to you a version of the 2002 debut album by Zomo, titled WAITING FOR THE GREEN.
Tell us a bit about the history of Waiting For The Green
Back in 2001-2002, Zomo was made up of myself (Justin Hoenke), drummer Dustin Miller, guitarist Zach Watt, and “insert bass player at the moment”. Eventually Rob Felsberg became our bass player in 2002 but from what I can remember didn’t actually ever join us in the recording studio. We recorded the backing tracks to most of the songs with Atom Watt (Zach’s brother) at his studio in Girard, PA. I remember his whole living room was full of sound baffles and drums as Dustin tracked the drums for what seemed like weeks. I can’t recall how long it took. After that, Zach and I began putting guitars on the album and by the end of 2002 and mid 2003 everything just kind of stopped on the album. We all kind of moved on from these songs into newer ones and band members came and went. I think the final nail in the coffin was in June 2003 when Zach Watt left the band. After that we recruited Aaron Davis and for the next 6 months rehearsed and recorded For The Muses. So yeah, if you follow that timeline then this is definitely our debut album even though we never got it done.
What was the original vision for the album?
It was going to be 14 tracks…7 written by myself and 7 written by Zach Watt. I can’t speak for Zach, but the songs I contributed were: Lucy Gray, The Bells, Tooramalay, Here Come The Demons, Sleepyhead, Cutting the Boy in Half, Breakdown, Giraffe, Girl of My Dreams, Mountain Jam, The Rise and Fall of Joe Walsh Part I and Upon My Sleeve I Wear This Badge. We were going to record as many songs as we could and then whittle everything down to a nice solid debut album. At the time, we were very much focused on growing ourselves as songwriters and capturing our first songs in a nice debut album.
There were a lot more songs floating around at the time but we held off on putting them on the first record. For some reason, we thought that a lot of these songs would be better for the second album…songs like Pine Away, Alberta, Pocket Symphony, and a few others. In my mind there was a clear “ok, let’s do this set of songs for the first album and this set of songs for the second album” vibe happening. But the songs kept coming so fast and the new ones were so much more exciting than the debut album songs because we’d been playing the Waiting For The Green songs so much. We really got ahead of ourselves.
Why finish this album now?
Well, the album still isn’t finished. You’ve got to remember that Zomo doesn’t exist anymore and without Zomo around there will never be a finished album. To properly finish this thing, Dustin, Zach, Atom, and I have to get into a room for a period of time and do it….and I don’t see that ever happening.
I finished the studio versions of Girl of My Dreams and Giraffe this year based off of the rough backing tracks I had in my archives. I finished them and then relistened to the live tracks you hear on this version of the album. I was blown away by our performance and the raw energy of the songs. I mean listen to Zach’s lead guitar! It’s so freaking good.
I wrote these songs and they mean a lot to me and it was driving me nuts to not have them out in the world. What good is a song when you just keep it to yourself? So I finished things up, relistened to what we had performed live, and came up with this tracklist. It’s not perfect but it is something….and it puts out this great music that we created out into the world. That’s the best thing.
Is there anything else in the Waiting For The Green Archives?
I’ve got other rough backing tracks from those sessions in my archives, but I don’t think I’ll be revisiting those anytime soon. I think the live versions of these songs work much better. Zach’s got his songs as well and I have no idea what he’ll do with them.
What is the future for Zomo?
As far as I can tell, there is none. The band did some stuff, released 3 albums, and now we’re all off on our own living our lives and making music in other ways. It was fun, but everything changes.