Abigail Foster's Photosynthesis Machine, Family, Fidelia Hall, Libraries, Life, Music, Week of Music (2017)

WEEK OF MUSIC: “Everyone C’mon Get Happy”

I wanted to do more as a band with Aaron but for some reason that didn’t work out. I got a laptop and a digital recording interface and went to town recording another album titled Everyone C’mon Get Happy. It was a straight up pop rock album that didn’t have any big concepts or ideas behind it. They were just songs and they were fun and that was it. To celebrate the album, I got together with Kristel Bastian, Dustin Miller, and Dave Washousky to perform some of the music I had written since 2004. It was a pretty awesome event!

I enjoy just how fun these songs are. There’s nothing big behind this album…no giant concept, no deep meaning…it’s all just a bunch of pop songs. I need to remember this album in the future and do my best to add a bit of fun into every recording that I make.

You have a few options with how you can listen to and download these albums:

  1. You can purchase the albums at the Abigail Foster’s Photosynthesis Machine website. The albums are $7 each and any money made from the purchase of these albums goes into one of two things: Arbacarba Records, which will invest the money in making these albums available on streaming platforms (Spotify, Apple Music, etc) or Fidelia Hall, which will help with the repairs and restoration of this 144 year old community center. Once purchased, you can download the albums in a variety of formats (MP3, FLAC, and more) or stream them via the free Bandcamp app (iTunes, Android)
  2. You can stream the albums for free at the Abigail Foster’s Photosynthesis Machine website.
  3. If you are a library (public, academic, special) and you wish to add any of the Abigail Foster’s Photosynthesis Machine albums to your digital collection, you may do so by contacting me at justinthelibrarian at gmail dot com and I will gladly share these albums with you as MP3 or WAV formats. Once you have these files, your library will be able to provide your library card patrons with these albums for free by adding them to your library digital music collection at no cost to you.

I hope you enjoy this album!

 

Life

WAITING FOR THE GREEN by Zomo

It is with much happiness that I can finally present to you a version of the 2002 debut album by Zomo, titled WAITING FOR THE GREEN. 

Tell us a bit about the history of Waiting For The Green

Back in 2001-2002, Zomo was made up of myself (Justin Hoenke), drummer Dustin Miller, guitarist Zach Watt, and “insert bass player at the moment”. Eventually Rob Felsberg became our bass player in 2002 but from what I can remember didn’t actually ever join us in the recording studio. We recorded the backing tracks to most of the songs with Atom Watt (Zach’s brother) at his studio in Girard, PA. I remember his whole living room was full of sound baffles and drums as Dustin tracked the drums for what seemed like weeks. I can’t recall how long it took. After that, Zach and I began putting guitars on the album and by the end of 2002 and mid 2003 everything just kind of stopped on the album. We all kind of moved on from these songs into newer ones and band members came and went. I think the final nail in the coffin was in June 2003 when Zach Watt left the band. After that we recruited Aaron Davis and for the next 6 months rehearsed and recorded For The Muses.  So yeah, if you follow that timeline then this is definitely our debut album even though we never got it done.

What was the original vision for the album?

It was going to be 14 tracks…7 written by myself and 7 written by Zach Watt. I can’t speak for Zach, but the songs I contributed were: Lucy Gray, The Bells, Tooramalay, Here Come The Demons, Sleepyhead, Cutting the Boy in Half, Breakdown, Giraffe, Girl of My Dreams, Mountain Jam, The Rise and Fall of Joe Walsh Part I and Upon My Sleeve I Wear This Badge. We were going to record as many songs as we could and then whittle everything down to a nice solid debut album.  At the time, we were very much focused on growing ourselves as songwriters and capturing our first songs in a nice debut album.

There were a lot more songs floating around at the time but we held off on putting them on the first record. For some reason, we thought that a lot of these songs would be better for the second album…songs like Pine Away, Alberta, Pocket Symphony, and a few others. In my mind there was a clear “ok, let’s do this set of songs for the first album and this set of songs for the second album” vibe happening. But the songs kept coming so fast and the new ones were so much more exciting than the debut album songs because we’d been playing the Waiting For The Green songs so much. We really got ahead of ourselves.

Why finish this album now?

Well, the album still isn’t finished. You’ve got to remember that Zomo doesn’t exist anymore and without Zomo around there will never be a finished album. To properly finish this thing, Dustin, Zach, Atom, and I have to get into a room for a period of time and do it….and I don’t see that ever happening.

I finished the studio versions of Girl of My Dreams and Giraffe this year based off of the rough backing tracks I had in my archives. I finished them and then relistened to the live tracks you hear on this version of the album. I was blown away by our performance and the raw energy of the songs. I mean listen to Zach’s lead guitar! It’s so freaking good.

I wrote these songs and they mean a lot to me and it was driving me nuts to not have them out in the world. What good is a song when you just keep it to yourself? So I finished things up, relistened to what we had performed live, and came up with this tracklist. It’s not perfect but it is something….and it puts out this great music that we created out into the world. That’s the best thing.

Is there anything else in the Waiting For The Green Archives?

I’ve got other rough backing tracks from those sessions in my archives, but I don’t think I’ll be revisiting those anytime soon. I think the live versions of these songs work much better. Zach’s got his songs as well and I have no idea what he’ll do with them.

What is the future for Zomo?

As far as I can tell, there is none. The band did some stuff, released 3 albums, and now we’re all off on our own living our lives and making music in other ways. It was fun, but everything changes.