Benson Memorial Library, Libraries, Titusville, PA

“May 31, 1944,” by Isabella Leitner and illustrated by Gus Leiber at the Benson Memorial Library, May 2018

 

IMG_0919.jpg

In the month of May the Benson Memorial Library is proudly displaying the poem “May 31, 1944,” by Isabella Leitner and illustrated by Gus Leiber in the Wentz Reading Room at the Benson Memorial Library. Many thanks to Lynn Cressman of the Titusville School District Board of Directors for arranging this for our library. I love it when public libraries are filled with art, and even more so when a small rural library like ours has a chance to bring a wonderful work by a internationally known artist to their community. Libraries are great connectors, and in this case we’re connecting our community to not only some great art but also to an important subject matter. I hope to do more of this kind of stuff for Titusville, PA while I’m the director here.

PRESS RELEASE
“May 29, 1944, the day after Isabella Katz’s twenty-third birthday, she, along with her family and all the Jews in the ghetto in Kisvarda, Hungary, were rounded up by the Nazis, loaded into rail cars, and transported to Auschwitz. Her mother and younger sister were immediately gassed upon arrival at the camp. Three of her siblings survived their days in Auschwitz by supporting each other with determination. Her father managed to get to the United States and tried to obtain visas for them. Eventually she was reunited with her father, who, although he had escaped the concentration camp, lived the remainder of his life feeling he had let his family down. Isabella used her experience to write two accounts, Fragments of Isabella and The Big Lie.

Titusville native Gus Leiber has, in his modern style, illustrated a poem by Isabella Leitner entitled “May 31, 1944,” which is the day she arrived in Auschwitz. This poem hits very close to home because Gus’s wife, Judy, a Hungarian, was at one time on the list to be sent to the concentration camps. Instead, a friend added Judy’s name, as well as her sister’s and mother’s names, to the schuss pass (travel pass). A teenager, Tommy Baroth, hunted until he found a typewriter whose font matched the type on the schuss pass. He carefully added “and family,” to Mr. Peto’s pass, saving the family from a horrible fate. Tom and his sister Agnes reside in New York City today.

Sadly, both Gus and Judy Leiber passed away Saturday, April 28th within six hours of each other. Their art and love will be missed by many. Read their obituary here.

The poem by Isabella Leitner, “May 31, 1944,” illustrated by Gus Leiber is on display from May 1 until May 31 in the Wentz Reading Room at Benson Memorial Library. The public is invited to visit the library to see this special exhibit.”

Gus Leiber

ABOUT Gerson “Gus” Leiber (1921-2018)
Gerson Leiber, of the Titusville High School Class of 1939, was a Modernist painter who resided in New York City with his wife, Judith. As a student in Titusville, he showed great artistic promise; however, WWII took him to Hungary, where he met his future wife, Judith Peto, who was a handbag master. Upon the conclusion of the war, they moved to New York City, where Gerson attended art school while Judith pursued the design and creation of handbags. She eventually founded Judith Leiber, Inc., creating exquisite handbags, ranging from alligator leather bags to dazzling beaded clutches.

Mr. Leiber has exhibited in over 300 national and international exhibitions as well as 20 one-man exhibitions. He is past president of the Society of American Graphic Artists and a member of the Audubon Artists, the National Academy of Design and the Art Student’s League. He is also the recipient of many awards, including Tiffany Fellowships in 1957 and 1960.

Several years ago, Mr. Leiber donated a considerable number of his art books to the Titusville High School library for student use, furnishing the library with a fine collection. He followed with a piece of his own entitled The Smoking Man, as well as high quality prints of the work of Rembrandt and Albrecht Dürer, and a Picasso portfolio. He went on to purchase a collection of Japanese prints by artists Kunisada and Hiroshi for study and display at THS. He has also donated beautiful collections of Persian miniatures and French prints of various subjects.

Currently we have approximately fourteen different collections by different artists. We hope to use this artwork to help educate students and give the entire community a chance to experience very different types of artwork. Both Gus and Judy Leiber passed away on Saturday, April 28th, 2018. For all of the Leibers’ contributions we are deeply and sincerely grateful.

Leitner Leiber Display

Read more about The Leiber Museum here

Advertisements
Abigail Foster's Photosynthesis Machine, Family, Fidelia Hall, Libraries, Life, Music, Titusville, PA

Change The World With Creativity

Between 2009 and 2015 I was not very active creatively. This is OK. The family that Haley and I started began to grow, and now that we were both out of school it was time to put some energy into our work. For me it was libraries and in a way my work in libraries took the place of the act of creativity. Looking back I see that my work in libraries was very creative as a result of this shift. I think I did some really neat library related things during that time period. Despite enjoying this work, I still felt a lack of creativity in my life.

My creativity comes out best in the form of songs, and even more specifically songs that are arranged in the sequence of an album. In the days of digital singles and rush releases, I understand that I am way beyond the times and I’m fine with that. One of the things that I have learned about creativity is that you need to open your mind and your heart to it and accept it in any form that it comes. Is it rushing at your faster than you can write it all down? Is the trickle as slow as a leaky faucet? What I have realized is that creativity comes in many forms and with many speeds. You have to accept that in your mind and in your heart and be ready for whatever comes. You also have to accept that your creativity may take different forms. As I said above, for me that form is a set of songs arranged as an album. My wife Haley, who just happens to be one of most creative people I know, excels at making clothes for herself as well as other fabric arts and oddities which have an amazing energy and charm to them.

And that’s what I want to talk about: the energy that your individual creativity puts out into the world. Every creative act that a human being does starts somewhere. I believe they start in a positive part of our mind and our heart. We then interpret these creative urges into a form. We do not need to talk about the form here. The form is what you want it to be. The form that feels most honest and real to you is the form for you. Embrace that form, think about your creative urge, and make that creative urge a reality. Birth your idea and let your idea out into the world.

DO NOT fall into the belief that “no one will listen to or read or look at” your creative act. Instead, think two things about your creative act:

  1. Your creative act puts out a positive energy into the world, and acts of positive energy are like ripples in a pond. The effects will be felt somewhere along the line.
  2. Your creative act will be listened to or read or looked at. Someone at some point in time will interact with it and it will have an impact on their life. There are too many people in the world for your creative act to not be seen by at least one person. And one person is more than zero.

My latest creative act is a 10 song album titled SMALL TOWN. I would like to end this post by talking about that creative act. I believe that not only should we share our creative acts but we should also talk about how they came to be and why they came to be. This helps us understand each other, and when we better understand each other we can work together to create a more positive world.

SMALL TOWN begins the album. I wanted to write a song that was just one big loop. I experimented with a 4 chord sequence in 4/4 time. Garageband helped me make the loops, program the drums and bass, and put more onto the song at the end. This is the introduction to a frame of mind I had while writing the album. This is what it can feel like in a small town.

GIVE ME THE ATOM BOMB was started in mid 2017 and went through many different versions until I came to this arrangement. I did not know if I wanted it to be a slow dirge, a synthpop extravaganza, or just a straight ahead song. Jeff Lynne and his use of the acoustic guitar as a rhythm instrument inspired this version. The message is simple: “I AM EVERYTHING, THERE’S NOBODY ELSE AROUND”. Contrasting the feeling of being woke with the feeling of being isolated.

THIS TOWN WILL DESTROY ITSELF was the lingering feeling that everything I moved my family to in 2015 was crumbling. Homes falling apart, buildings falling down, and a rot that set in years ago and continued to fester. I want to go, but I also want to stay. I can’t be fooled by my feelings.

FROZEN PIPES is the tale of Fidelia Hall, student loan debt, and the struggle of this generation in America. I’ve written about how my home is physically falling apart before…frozen pipes, leaking walls, mold, ceilings falling down, falling through the floor, and heating systems failing. Why can’t you just fix it Justin? Well, it’s tough when you have $100K of student loan debt between you and your wife and you only make $35K per year. You just can’t fix things in the moment and you have to plan. You promised that an education would lead to great things and while it has helped expand my mind, it has crippled the expanded mind with a debt that will never cease. The boomers and their complaints. Their lack of vision and understanding. This is the story of a generation. I could write about this for ages but I won’t.

LET’S GO BACK TO SLEEP started in 2001 as an instrumental. I loved the simple melody. I loved the 50’s style chord sequence. The more I thought about this album the more I came to the conclusion that it should not be a 10 song tome on small towns. It had to be more. LET’S GO BACK TO SLEEP starts the dream sequence and the hunt for a new place to live and a possible new job, all of which ties nicely into this blog series I wrote about my job search, A NEW CAREER IN A NEW TOWN

LITTLE PARADISE is a song that has been complete since 2001 but I was never happy with the recording I had. It felt too…..beachy. The song was written around the time where all that I wanted to do was to leave college and travel and live in different places every three months. That was the dream. The song was a nice fit for this album because it dealt with leaving your home to explore and go on an adventure. I am very proud of the bridge.

AEOTEOROA has roots in a cassette demo tape I made in 11th grade during my music class. It was a simple midi piano and not much else with the title JUPITER. It sounded good and it needed more. AEOTEOROA was a place that I had a very big interest in and a place that I could see me and my family living in, so it became the focus…the ultimate adventure…the goal. Everyone’s so neat there. Everything’s so green there. Why don’t we plant roots and soar into the sun?

MUCH TOO LATE also has origins from years ago but it was an idea that sat aside without any development. Striking out on the idea of a move to Aeoteoroa, I wondered to myself if it was much too late to make a new step in our lives. Time is always ticking. Also I just love a good key change into a huge chorus.

ATOM BOMB, as I stated above, had so many different versions and ideas. I couldn’t let go of the idea of the song being constructed with synths and with dirgey instrumentation. This is why we have a reprise! I couldn’t let this vibe go unheard.

Ending an album is difficult. I always want to sum everything up and get the listener to think about their life. I noticed that the phrase “another day” popped up in another song and it reminded me that I had this short idea of a song from years ago. It felt like a good way to end.